'Task' review: Mark Ruffalo ain’t no Father Brown
Dr. Chris Cruz on the recent HBO drama following a former Catholic priest who is now in law enforcement—and overwhelming interpersonal trouble.
Dr. Chris Cruz on the recent HBO drama following a former Catholic priest who is now in law enforcement—and overwhelming interpersonal trouble.
Nate Tinner-Williams on a new film praising the darling magazine of American elites—which he says is a tone-deaf attempt to distill by deletion.
Nate Tinner-Williams reviews a new documentary that gets religion wrong but impact right with its close-up lens on the MLB's "Great One".
Nate Tinner-Williams on a film uncovering the scourge of abuse against women religious—centering on the high-profile Jesuit artist Marko Rupnik.
Nate Tinner-Williams says the new film indirectly gives cautionary lessons on the violent effects of abandoning humanity in search of utopia.
Nate Tinner-Williams writes that the new Spike Lee film is unable to rise above a juvenile script—despite Denzel Washington's best efforts.
Nate Tinner-Williams says the directorial debut from former NFL star Nnamdi Asomugha is compelling on the surface, but gives way to cartoonery.
Nate Tinner-Williams reviews Steven Soderbergh's latest, which promotes marriage and fidelity while not skimping on complexity or cinema.
Rana Irby takes on the new text covering the need for Catholic faith in action in the modern age.
Lori Stanley reviews the latest book from Daryl Grigsby, on the lives of three dozen modern Catholics embodying faith in action.
Jonathan Roumie's Jesus and the gang are back for the bombastic beginnings of the Passion, bringing suspense and intrigue to the small screen.
Nate Tinner-Williams says the movie is remarkable in its willingness to explore teen angst and spirituality with, shall we say, uncolored glasses.
Nate Tinner-Williams reviews the new film depicting a family interrupted by the machinations of a U.S.-backed military regime in 1970s Brazil.
Nate Tinner-Williams writes that the ennobling of global European rule leaves something to be desired in the long-anticipated sequel to a classic.
Samantha Smith says the new film is a Catholic-themed thriller with an air of humanity amidst lofty themes of division and decision.
The Catholic-raised Houstonian brings truly unmitigated urban flair on a churchy release that will nevertheless raise some eyebrows with its content.