The unsung heroine of 'One Battle After Another' is not who you think.
Simoa Barros on the internal complications of the much-acclaimed flick, and how the director's public stances contradict the film's apparent message.
Movies
Autumn Durald Arkapaw first woman to win Best Cinematography at the Oscars
The Catholic-raised Afro-Filipina won for her work on Ryan Coogler's blockbuster hit "Sinners", which won four awards from a record 16 nominations.
'Moses the Black' review: When saints and sinners collide
Samantha Smith reviews a new Eastern Orthodox film that ties the story of an ancient Christian saint to the struggles of Black American gang life.
Betty Reid Soskin, centenarian Black park ranger, laid to rest in California
The late Catholic-raised activist was a central figure in the creation of a national park honoring Black and female homefront service during WWII.
The enduring beauty and message of 'Champagne', a short film that challenges the heart
Simoa Barros on a lesser-known animated flick from the late Michael Sporn that tells of a young Black girl who navigates her world in living color.
Review: Faith, loss, and unity front and center in 'Avatar: Fire and Ash'
Samantha Smith reviews the new James Cameron flick with an eye for social themes and the quest for Na'vi freedom.
20 years later, Kevin Willmott's 'CSA' still speaks—and warns of a darker America.
Matt Memrick interviews the veteran filmmaker and Black Catholic whose acclaimed mockumentary cut to the heart of America's Confederate past.
'Zootopia 2' review: A frolicking good time and a message for the moment
Samantha Smith reviews the new animated sequel to an Academy Award-winning feature centering issues of prejudice and unconscious bias.
'Wicked: For Good' review: Crisp and timely social commentary in musical form
Nate TInner-Williams reviews the sequel to last fall's blockbuster, calling it a defiant romp that is inspiring and challenging all at once.
'The New Yorker at 100' review: The Whitest man in town
Nate Tinner-Williams on a new film praising the darling magazine of American elites—which he says is a tone-deaf attempt to distill by deletion.
'Clemente' review: A secular hagiography of a Black Catholic baseball star
Nate Tinner-Williams reviews a new documentary that gets religion wrong but impact right with its close-up lens on the MLB's "Great One".
'Nuns vs. The Vatican' review: A much-needed new angle on clerical abuse
Nate Tinner-Williams on a film uncovering the scourge of abuse against women religious—centering on the high-profile Jesuit artist Marko Rupnik.
'Eden' review: Survival of the fittest, morally speaking
Nate Tinner-Williams says the new film indirectly gives cautionary lessons on the violent effects of abandoning humanity in search of utopia.
'Highest 2 Lowest' review: Did this silly film just take me hostage?
Nate Tinner-Williams writes that the new Spike Lee film is unable to rise above a juvenile script—despite Denzel Washington's best efforts.
'The Knife' review: Arresting, but also more than a bit absurd
Nate Tinner-Williams says the directorial debut from former NFL star Nnamdi Asomugha is compelling on the surface, but gives way to cartoonery.
Review: 'Black Bag' wows with spy thriller themes on bedrock of virtue messaging
Nate Tinner-Williams reviews Steven Soderbergh's latest, which promotes marriage and fidelity while not skimping on complexity or cinema.