Upcoming historical marker will honor Fr Clarence Rivers, 'father of Black Catholic liturgy'
He was the first Black priest in the Cincinnati Archdiocese and the first Black Catholic liturgist to compose African-American sacred music.
He was the first Black priest in the Cincinnati Archdiocese and the first Black Catholic liturgist to compose African-American sacred music.
Fr Nnaemeka Ali, OMI on the complications of November as an African Catholic priest pressing to find himself in the life of the Church.
Fan favorites and category mainstays are among the international crop of Catholic-connected Black artists looking to win on music's biggest night.
Daryl Grigsby on the enduring call for a listening—and working—Church, echoing from the final document out of the most recent Synod of Bishops.
Tulio Huggins on the significance of Christological presence in the human person in a climate of widespread anti-Black racism and disrespect.
Nate Tinner-Williams on a new film praising the darling magazine of American elites—which he says is a tone-deaf attempt to distill by deletion.
The Nigerian-American Catholic couple is accused of fabricating a home burglary to net more than $450,000 in overlapping insurance payouts.
Fr Nnaemeka Ali, OMI, on a powerful experience of encounter and meditation with First Nations elders in Canada.
NABCA president Fr Reginald Norman says the tragic shooting has led to threats against free speech—especially that of African Americans.
"God Makes a Way" from OCP and Echo Harbor Worship features an ecumenical crop of musicians—including Israel Houghton, Cory Henry, and Tower of Power.
Rep. Adriano Espaillat, one of the nation's Black Catholic congressmen, led efforts in Washington to honor the historic New York basketball mecca.
Tamika Royes on the evolution of Church-sponsored schooling and the resolve needed for authentic renewal and cultural inclusion.
Joseph Peach on the phenomenon of social media stardom and the struggle to foster authentic virtue in the precarious internet age.
Nate Tinner-Williams writes that the new Spike Lee film is unable to rise above a juvenile script—despite Denzel Washington's best efforts.
Nate Tinner-Williams says the directorial debut from former NFL star Nnamdi Asomugha is compelling on the surface, but gives way to cartoonery.
Douglas Stringer on America's slipping grip of democracy and how a phrase touting vigilance shouldn't be a byword, but rather a call to action.