St. Patrick Church, the last remaining Black Catholic parish in the city of Charleston, South Carolina, has been awarded a $500,000 matching grant to preserve its historic 19th-century edifice.
The National Fund for Sacred Places, a partnership between Partners for Sacred Places and the National Trust for Historic Preservation, announced the news on Oct. 21. St. Patrick’s is one of 30 places of worship in the 2025 cohort of grantees—the largest in the program’s history.
“We are so blessed to be one of the 30 churches chosen from a pool of 319 applicants,” the parish said in a statement.
“Our hope is to have this grant cover the cost of the steeple repairs as part of our Capital Campaign to restore, renew, and revive our church and its spiritual and historical significance within the community.”
The National Fund for Sacred Places, a program of @sacred_places in collaboration with the National Trust, is proud to announce
— Saving Places (@SavingPlaces) October 21, 2025
💫 $8.73M in grants to
💫 30 historic houses of worship nationwide
Learn more about this new cohort of grantees: https://t.co/SUlCa7MtJj pic.twitter.com/D4WlrMErA1
Founded in 1837 for local Irish Americans, the community of St. Patrick’s built its original church the next year, operating on somewhat integrated terms even during slavery, with separate galleries for Black and White churchgoers. It later expanded to the current downtown building, designed by the prolific architect Patrick Keely, after the devastating 1886 Charleston earthquake.
St. Patrick’s became largely African-American after a merger of two historically Black parishes into the community during the era of desegregation and White Flight. The community received the diocese’s first Black priest and pastor in 1978, Fr Egbert Figaro of the Spiritans.
St. Patrick’s is the only remaining Black Catholic parish in the city of Charleston, having received into its numbers the congregants of several closed African-American parishes over the years. The most recent was Our Lady of Mercy, which shuttered in 2014. Its well-known gospel choir is led by recording artist Charlton Singleton of the Grammy-winning Gullah music ensemble Ranky Tanky, and the parish is one of few nationwide to host jazz Masses.
In recent years, the parish has begun plans for an African-American Heritage Center, which would celebrate Black history, music, worship, and dance as part of an outreach to the larger Charleston area. A related renovation effort aims to upgrade the church’s accessibility offerings, convert the parish hall into a sanctuary, and refurbish other elements of the parish complex.
The new NFSP grant—which requires the parish to raise half a million dollars in matching funds—will help the church repair its steeple and exterior.
“Sacred places hold a profound role in the American landscape, embodying both heritage and hope,” said Carol Quillen, president and CEO of the National Trust for Historic Preservation.
“Through the National Fund for Sacred Places, we are ensuring these spaces remain vibrant hubs of community life, sustaining connection, creativity, and service for generations to come.”
St. Patrick’s is one of several Catholic churches in the 2025 NFSP cohort, including the Cathedral Basilica of San Juan de Bautista in Puerto Rico and Our Lady of Lourdes Church in Cleveland, among others.
The cohort’s total disbursement of $8.73 million in funds is set to be the largest in in the history of the National Fund, which has operated since 2016. Those interested in contributing to the St. Patrick's capital campaign can do so online or find more information on the church’s website.
Nate Tinner-Williams is co-founder and editor of Black Catholic Messenger.
